Topical Bibliography - Stephen Travis Pope

This list contains my main publications sorted by the central topic areas of my R&D; see also the ICMC library at http://quod.lib.umich.edu/cgi/t/text/text-idx?c=icmc&key=author&page=browse&value=pope

Project Areas

Patents
MIR, Signal Analysis, Metadata frameworks
Composition Languages
Spatial Sound

Patents

• "Automatic labeling and control of audio algorithms by audio recognition." US Patent 9,031,243 issued May 12, 2015. Co-inventor with Jason LeBoeuf.
  http://www.freepatentsonline.com/9031243.html
• "A Method and apparatus for analyzing animal vocalizations, extracting identification characteristics, and using databases of these characteristics for identifying the species of vocalizing animals." US Patent 9,177,559 issued Nov. 3, 2015. Co-inventor with Tom Stephenson.
  http://www.freepatentsonline.com/9177559.html

MIR, Signal Analysis, Metadata frameworks

• S. T. Pope. "The Big MAT Book: Courseware for Audio and Multimedia Engineering (in 3 volumes)." MAT/CREATE, 2008, 665 pages.
  http://HeavenEverywhere.com/TheBigMATBook
• S. T. Pope. "Teaching Digital Audio Programming: Notes on a Two-year Course Sequence." Proc 2007 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/ICMC2007_MAT240.pdf
• S. T. Pope, Frode Holm and Alexandre Kouznetsov. "Feature Extraction and Database Design for Music Software." Proc 2004 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/PopeHolmKouznetsov_icmc2.pdf
• S. T. Pope & Alex Kouznetsov. "Expert Mastering Assistant (EMA) Version 2.0 Technical Documentation." FASTLab Internal Report, 2004.
  http://HeavenEverywhere.com/stp/PostScript/EMA_TechDoc.pdf
• S. T. Pope, Frode Holm and Alexandre Kouznetsov. "The FASTLab Music Analysis Kernel." FASTLab Internal Report, 2002.
  http://HeavenEverywhere.com/stp/PostScript/FMAK_description.pdf
• S. T. Pope. "The Open Music Network Infrastructure (OMNI)." CREATE Internal Report, 2001.
  http://HeavenEverywhere.com/stp/PostScript/OMNI.pdf
• S. T. Pope. "Research on Music/Sound Databases at CREATE." CREATE Internal Report, 2001.
  http://HeavenEverywhere.com/stp/PostScript/DB.2.pdf
• S. T. Pope, Pierre Roy and Nicola Orio. "Content Analysis and Queries in a Sound and Music Database." Proc 1999 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/STPope_ICMC99_Paleo.pdf
  

Composition Languages

• S. T. Pope. "Scripting and Tools for Analysis/Resynthesis of Audio." Proc 2007 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/ICMC2007_Scripting.pdf
• S. T. Pope and Roger Dannenberg. "Models and APIs for Audio Synthesis and Processing." Proc 2007 ICMC.
  http://quod.lib.umich.edu/i/icmc/bbp2372.2007.053/1/--models-and-apis-for-audio-synthesis-and-processing-a-panel
• S. T. Pope, Xavier Amatriain, Lance Putnam, Jorge Castellanos, and Ryan Avery. "Metamodels and Design Patterns in CSL4." Proc 2006 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/CSL4_ICMC06.pdf
• S. T. Pope. "Building Large-scale Interactive Systems with OSC, Siren, CSL, and CRAM." UC Berkeley AudioIcon Workshop, 2003.
  http://HeavenEverywhere.com/stp/PostScript/Pope_OSC.pdf
• S. T. Pope and Chandrasekhar Ramakrishnan. "Recent Developments in Siren: Modeling, Control, and Interaction for Large-scale Distributed Music Software." Proc 2003 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/Siren.pdf
• S. T. Pope and Chandrasekhar Ramakrishnan. "The CREATE Signal Library (“Sizzle”): Design, Issues, and Applications." Proc 2003 ICMC.
  http://www.create.ucsb.edu/CSL/CSL_ICMC_2003.pdf
• S. T. Pope. "Music and Sound Processing in Squeak Using Siren." Invited Chapter in "Squeak: Open Personal Computing and Multimedia." edited by Mark Guzdial and Kim Rose. Prentice-Hall, 2002.
  http://HeavenEverywhere.com/stp/PostScript/SirenBookChapter.pdf
• S. T. Pope. "The Siren Music/Sound Package for Squeak Smalltalk." Proc. of the 1998 ACM Conference on Object-Oriented Programming Systems, Languages, and Applications (OOPSLA), 1998.
  ftp://ftp.create.ucsb.edu/Siren/Siren.OOPSLA98.paper.pdf
• S. T. Pope. "Web.La.Radia: Social, Economic, and Political Aspects of Music and DigitalMedia." Invited Paper, Salzburg Symposium on New Media Technology and Networking for Creative Applications (1997). Reprinted in Proc 1997 ICMC. Reprinted in "Computer Music Journal" 23:1, 1999.
  http://HeavenEverywhere.com/stp/PostScript/WLR.ICMC97.pdf
• S. T. Pope. "Siren: Software for Music Composition and Performance in Squeak." Proc 1997 ICMC.
  http://quod.lib.umich.edu/i/icmc/bbp2372.1997.056/1/--siren-software-for-music-composition-and-performance
• S. T. Pope. "Fifteen Years of Computer-assisted Composition." Proceedings of the 2nd Brazilian Symposium on Computer Music, 1995.
  http://HeavenEverywhere.com/stp/PostScript/SBC.95.AlgComp.pdf
• S. T. Pope. "Computer Music Workstations I Have Known and Loved." Proc 1995 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/icmc.95.CMWS.pdf
• S. T. Pope. "The Musical Object Development Environment (MODE)--Ten Years of Music Software in Smalltalk." Proc 1994 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/icmc.94.mode.pdf
• S. T. Pope. "The Interim DynaPiano: An Integrated Tool and Instrument for Composers." Computer Music Journal 16:3, Fall, 1992.
  http://HeavenEverywhere.com/stp/PostScript/IDP.cmj.pdf
• S. T. Pope. "The SmOKe Music Representation, Description Language, and Interchange Format." Proc 1992 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/icmc.92.smoke.pdf
• S. T. Pope. "The SmOKE Music Representation, Description Language, and Interchange Format." Proc 1992 ICMC.
  http://quod.lib.umich.edu/i/icmc/bbp2372.1992.028/1/--smoke-music-representation-description-language
• S. T. Pope. "Real-Time Performance via User Interfaces to Musical Structures." Proceedings of the Int'l Workshop on Man-Machine Interaction in Live Performance, Pisa, Italy, June, 1991. reprinted in Interface 22(3): 195-212, 1993.
  http://HeavenEverywhere.com/stp/PisaPaper/Pisa.html
• S. T. Pope. "T-R Trees in the MODE (A Tree Editor Based Loosely on Fred's Theory)." Proc 1991 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/icmc.91.trtrees.pdf
• S. T. Pope. "Considerations in the Design of a Music Representation Language." Proc 1989 ICMC.
  http://quod.lib.umich.edu/i/icmc/bbp2372.1989.059/1/--considerations-in-the-design-of-a-music-representation
• S. T. Pope. "Modeling Musical Structures as EventGenerators." Proc 1989 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/icmc.89.egens.pdf
• S. T. Pope. "A Smalltalk-80-based Music Toolkit." Proc 1987 ICMC.
  http://quod.lib.umich.edu/i/icmc/bbp2372.1987.024/1/--smalltalk-80-based-music-toolkit
• S. T. Pope. "The Development of an Intelligent Composer's Assistant: Interactive Graphics Tools and Knowledge Representation for Music." Proc 1986 ICMC.
  http://quod.lib.umich.edu/i/icmc/bbp2372.1986.029/1/--development-of-an-intelligent-composers-assistant
• S. T. Pope. "Introduction to the Mshell." Proc 1982 ICMC.
  http://quod.lib.umich.edu/i/icmc/bbp2372.1982.018/1/--introduction-to-the-mshell

Spatial Sound

• Xavier Amatriain, JoAnn Kuchera-Morin, Tobias Hollerer and S. T. Pope. "The Allosphere: An Immersive Multimedia Instrument for Scientific Data Discovery and Artistic Exploration." IEEE Transactions on Multimedia, 2008.
  http://HeavenEverywhere.com/stp/PostScript/Allosphere_IEEE_MM.pdf
• S. T. Pope. "Interchange Formats for Spatial Audio." (invited position paper) Proc 2008 ICMC, Belfast.
  http://HeavenEverywhere.com/stp/PostScript/icmc08-stpope-spat-audio2.pdf
• D. Conant, T. Hoover, K. McNally and S. T. Pope. "The Acoustics of a large 3D Immersive Environment: The Allosphere at UCSB." Proc 2008 ASA-EAA Joint Conf. on Acoustics. Paris.
  http://HeavenEverywhere.com/stp/PostScript/ASA08_Allosphere.pdf
• Xavier Amatriain, Tobias Hollerer, JoAnn Kuchera-Morin and S. T. Pope. "Immersive Audio and Music in the Allosphere." Proc of the 2007 ICMC.
  http://HeavenEverywhere.com/stp/PostScript/ICMC2007_allosphere.pdf
• S. T. Pope. "Audio in the UCSB CNSI AlloSphere: The Design." MAT/CNSI Internal Report, 2005.
  http://HeavenEverywhere.com/stp/PostScript/AlloSphereAudio_01.pdf
• S. T. Pope. "Research on Spatial and Surround Sound at CREATE." CREATE Internal Report, 2001.
  http://www.create.ucsb.edu/wp/SpatialSnd.2.pdf
• S. T. Pope. "The State of the Art in Sound Spatialization." SoundInSpace Symposium, 2000.
  http://HeavenEverywhere.com/stp/PostScript/SiS2k.slides.pdf
• S. T. Pope and Lennart E. Fahlén. "The Use of 3-D Audio in a Synthetic Environment." Proceedings of the 1993 AIMI Colloquium, Milan.
  http://HeavenEverywhere.com/stp/PostScript/AIMI.ape.pdf
• S. T. Pope and Lennart E. Fahlén. "Building Sound into a Virtual Environment: An Aural Perspective Engine for a Distributed Interactive Virtual Environment (An APE for a DIVE)." Report of the Distributed Systems Laboratory of the Swedish Institute for Computer Science, 1992.
  http://HeavenEverywhere.com/stp/PostScript/ape2.pdf